The songs are as much a hit with those in their 20s as older folk,he said.ĭancer-choreographer Lourd Vijay,who runs a chain of dance studios in Bangalore,has witnessed the popularity of the music genre in clubs in Paris and London. The beats are repetitive and heady,and traditional koothu music is played at funeral processions,temple celebrations and weddings.ĭJ Naveen of Chennai,who specialises in the newly popular category,says he has played high-volume koothu music at parties not just in Bangalore,but at Indian shindigs in Beijing and Bangkok as well. The genre heavily emphasises percussion and,unlike classic Carnatic music,is informal and without a definite structure. Some of the songs borrow heavily from a folk genre called koothu that has its origins in the Tamil Nadu countryside. In southern films,dancers in glittery costumes perform high-spirited gyrations and shimmies in exaggerated song sets or in the rough-and-tumble of village settings. Rowdy Rathores ∼hin Ta Ta Chitta Chitta is a Telugu lift and another crossover hit.įor those in the know,the exuberant dance floor moves are distinctly south Indian and veer towards a gritty,folk-ish style,very unlike the moves characteristic of Bollywood. In the Sonu Sood- Naseeruddin Shah starrer Maximum,the Telugu number ∺a Ante Amalapuram shows up in a Hindi avatar.
Jinke marina malayalam song movie#
In the movie The Dirty Picture, Vidya Balan gyrates to the heady score of the Tamil song Nakku Mukka. Bollywood music directors are cottoning on to the genre,as hits like Ringa Ringas take-off ∽hinka Chika adapted into the Salman Khan film Ready,and playing with similar beats,show. Meanwhile Bollywood,which has imported heroines and recently movie plots from southern movies,is spinning off of this trend too. It is a refreshing change from the routine Bollywood music,she said. Hardly anybody understands all the lyrics of these songs but that ceases to matter once the music gets going,said her colleague Sandhya Nair. The music is innovative and gets people grooving on the dance floor,she said. The songs are trendy and exhilarating said Sneha Devaraj,a communications consultant and a party organiser in Bangalore. That whipped up a frenzy like no other and boosted requests for a host of other numbers.Ĭhartbusters like Jinke Marina and Pyarge Aagbittaite in Kannada,Nakku Mukka and ∺ppadi Podu in Tamil and Ringa Ringa and ∺a Ante Amalapuram in Telugu are the top choices. Bharathi (Bala Bangara neenu…Bangarada Manushya), Shruthi (Arerere gilirama…Gandhada Gudi), Tara (Banallu neene…Bayalu Daari), Leelavathi and Jayanthi (Viraha … from Yedakallu Guddada Mele) showed there was still spring in their steps.Īrun Sagar's explained how bicycles and autorickshaws were literally the vehicles of publicity on which Kannada movies banked.The craze permeated into the mainstream in a major way after Kolaveri Di,the lazy number crooned by Tamil movie star Dhanush,invented in Chennai that went on to became a viral hit worldwide. The veterans too were not to be left behind. But it was Ragini who stole the show with Jataka Kudure Hathi Pyaateg… from Rani Maharani, with her excellent costumes. Yogesh and Pragna in Jinke Marina…, Ramesh and Roopika in Baro Santhege hogona baa…, Soundarya Jaimala in Pyarge Aagbuttaithe…, Sanjjanna in Naanu Paduvaaralli Panchali, were appreciated for their class and finesse. Murali and Meghana's performance of Prema Lokadinda - Banda Premada Sandesha… from the movie Prema Loka - won huge applause.Īnirudh and Roopika's performance for a rendition of state anthem Jaya Bharatha Jananiya Thanu Jaathe, had the audience standing up in unison. The occasion - 100 years of Indian cinema - is the best place to make by debut as a stage dancer,'' said Neha Patil, who performed Hrudayave Bayaside… from the movie Krishnan Love Story. In fact, I had practised for just one day. I am thrilled that I performed in front of great Kannada artistes. The visuals delineated the development of Kannada movies from Sati Sulochana to the present successful Simpleaag Ond Love story. The crowd went into raptures when Narayan mentioned the names of Dr Rajkumar, Vishnuvardhan, Shankar Nag, Ambareesh, Rajinikanth, Kamal Haasan, Puneeth Rajkumar and Sudeep, as clippings from their movies beamed on the big screen.
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